Volume29, Number3 (Spring, 2012)
| Huang Yi-Long, Huang Amy Shumei |
A Study of Zhang Chunxiu, Close Friend of Cao Xueqin's Grandfather Cao Yin( Abstract ) |
| Harold Mok |
Qian Dian's Calligraphy from Four Perspectives ( Abstract ) |
| Hou Yi-li |
An Evidential Study of Emperor Xuanzong's Ode to Pied Wagtails( Abstract ) |
| Wang Chuping |
Nomenclature for Painted Enamel on Porcelain in Qing Dynasty: A Scientific Viewpoint ( Abstract ) |
Volume29, Number2 (Winter, 2011)
| Lai Yu-chih |
Images, Knowledge, and Empire: Depicting Cassowaries in the Qing Court( Abstract ) |
| Chen Chien-wen |
Facial Tattoo Patterns: Exploring the Early Contact between the Inner Asia Caucasian nomads and Ethnic Chinese ( Abstract ) |
| Wang Chong-ci |
Chen Jian and His Collection the Preface to the Orchid Pavilion Gatherings( Abstract ) |
| Weng Yu-wen |
The Follower of Allah: Ming Wu-tsung and the Ceramics with Huihui Characters of the Cheng-te Official Kiln ( Abstract ) |
Volume29, Number1 (Autumn, 2011)
| Wang Yao-ting |
The Painting and Calligraphy Collection of Song Gaozong( Abstract ) |
| Chi Jo-hsin |
The Instruments on the Scholars’ Desks in Song Dynasty ( Abstract ) |
| Deng Xiaonan, Zhang Yi |
Calligraphy Works and Official Documents: A Case Study of the Existing Calligraphy Works in the Song Dynasty( Abstract ) |
| Lu Sheue-yann |
A Study on the Ming colour version of The Map of Gansu Region ( Abstract ) |
| Kicengge |
The Illusion of the Nerchinsk Treaty Boundary-stone: The Map of the Amur Region in Manchu ( Abstract ) |
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