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This is the earliest surviving
painting by Liao Chi-chun and was done as a student at the Tokyo Academy
of Fine Arts (now Tokyo National University of Fine Arts and Music). At
that time, all painting students had to do a self portrait before graduating.
Consequently, the school has amassed a large collection of self portraits
by alumni from all over Asia, with many of them having gone on to become
major artists. Depicting oneself also apparently was a trend, for it was
especially popular in Western art during the 1920s and 30s.
This work is not very
large, showing Liao frontally only from the neck up. Comparing this to a
photo of
the artist from that period, you can judge for yourself if there is really
a similarity. Indeed, the essence of the painter comes quite close.
Worthy of closer study
here is Liao's painting methods. For example, the dark background was customary
for many portraits of the time. The strong lighting appears focused on the
face and shines directly from above, bringing out the facial features against
the shadows. Liao used rough brushwork that looks freely applied without
having been retouched. Despite the broad rendering, Liao was still able
to convey the details and spirit. The pensive expression and brooding lips
both reflect the straightforward and simple manner of the artist. Even at
this early stage in Liao's career, he does not show a penchant for Realism
but instead the influence of Post-Impressionist trends. |