Buddhist
scriptures often mention that writing and reciting
sutras are means of acquiring incomparable merit.
The Lotus Sutra of the True Law even
goes so far as to say that the virtue one acquires
by holding, writing, reading, and/or reciting
sutras "is greater than if one makes offerings
to Buddhist images". Not surprisingly, many
Buddhist followers have reverently transcribed
sutras over the ages. Each rendition of a sutra,
however, is done in a different manner. In addition
to sutras transcribed in regular script that are
upright and straightforward, some calligraphers
have developed unique variations, such as writing
sutra text using "gnat's-head" small
regular script in the decorative shape of a pagoda.
In other examples, sutra text and images are combined
into single compositions that are a sheer marvel
to behold for the spectator.
The
Diamond (Vajracchedikā-prajñāpāramitā) Sutra
and Buddha Wen Cheng-ming
(calligraphy, 1470-1559) and Ch'iu Ying
(painting, ca. 1494-1552), Ming dynasty
Hanging scroll, ink and color on paper,
139 x 30.7 cm
Copy of "Mirror of the Mind" from The Hua-yen (Avatamsaka) Sutra Calligraphed by a Ming Artist Ch'ien Ju-ch'eng
(fl. mid-18th c.), Ch'ing dynasty
Hanging scroll, ink on paper, 114.5 x 185
cm
Calligraphing The Diamond (Vajracchedikā-prajñāpāramitā) Sutra Pagoda Wang Shu-min,
Ming dynasty (1368-1644)
Hanging scroll, ink on paper, 109 x 33.5
cm