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Research Quarterly
Content and Abstract:
Volume 35
Volume 34
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Volume 31
Volume 30
Volume 29
Volume 28
Volume 27
Volume 26
Volume 25
Volume 24
Volume 23
Volume 22
Volume 21
Volume 20
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Volume 28
Volume28, Number4 (Summer, 2011)
Lu Hui-wen
Transitions and Transformations: Wild Cursive Calligraphy from Tang through Song (
Abstract
)
Harold Mok
The Northern Song Complex at Play in Southern Song Calligraphy (
Abstract
)
Wu Hsiao-yun
The Role of the Transmission of Chariots in the Early East-West Interaction: 2,000-1,200 BCE (
Abstract
)
Li Baowen
The origin of Tibetan Dragon Sutra recorded in the Archives of the Imperial Household Department (
Abstract
)
Volume28, Number3 (Spring, 2011)
Fu Shen
Zhang Jizhi and His Large Script (
Abstract
)
Huang Kuan-chung
Interconnection Historical Memory, Shaping a Clan Tradition: Lou Yue and his Kinsmen's Art Collection and Publishing (
Abstract
)
Yu Pei-chin
A Look at the Qianlong Emperor's Collection of Ru Porcelain from His Poetry (
Abstract
)
Hsu Yuan-ting
The Market of Publishing and the Circulation Area in the Southern Song Period: A Study on Publishing of Books for Imperial Examination and Treatises of Medicine (
Abstract
)
Volume28, Number2 (Winter, 2010)
Chen Yunru
Producing a Realm of Truth: Reexamining the Art-Historical Significance of the Qing Court Version of Up the River During Qingming at the Yongzheng Painting Academy (
Abstract
)
Liu Jung-chun
Reconstruction the fuction of Chen Hongshou's Water Margin Leaves as gambling and drinking game (
Abstract
)
Lin Shih-hsuan
Making Tibet inside the Frontier: On the Last Western Tour to Wutai Mountain of Emperor Jiaqing (
Abstract
)
Wu Yuanfeng
Discussions on the Characteristics of Manchu Old Archives (
Abstract
)
Volume28, Number1 (Autumn, 2010)
Liu Shi-yee
The Bond between the Three Liangs: A Thematic Analysis of Two Chen Hongshou Paintings for Zhou Lianggong (
Abstract
)
Zhuang Sue
Besides The Eight Eccentrics of Yangzhou : Ding Youyu and His Portrait (
Abstract
)
Chang Sheng-ching
The Pineapple Images by Michael Boym and the Circulation of Pineapple Images in Europe in the 17th century (
Abstract
)
Chen Hui-hsia
On the Imperial Studio's Imitation of Japanese Lacquerware During the Yongzheng Reign (
Abstract
)
Last updated on：
2012-04-26
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