全站搜尋
News Zone
What's New
News Room
Join the NPM
Awards
Links
Exhibits
Current Exhibits
Future Exhibits
Visitor Trails
720 VR in the National Palace Museum
Children's Gallery
Latest Exhibition Changes
Newsletter
Past Exhibits
Visiting
Hours & Ticket Prices
Regular tickets available online
Online Reservation
Gallery Tours
Visitor Notices
Dining Services & Gift Shops
Exhibition Floor Plan
Layout
Transportation
Public transportation
By Car
Learning
iPalace Channel
Kids' Garden
The National Palace Museum Monthly of Chinese Art
Research Quarterly
National Palace Museum Bulletin
NPM Publications
Bilingual Glossary
Library
Library
Open Data
Open Data
Collection
3D Gallery
Selections
Theme Sites
Copyrights & Cultural Creation
Copyrights
Brand License
Infringement Report
About the NPM
Meet the Director
Tradition & Continuity
Cultural Relics & Accountants
Chronology of Events
Present/Former Leaders
Annual Reports
Administration
Administration Services
Laws and Regulations
Operating Procedure
Mobile Video
iPalace Channel
NPM YouTube
NPM Facebook
Instagram
Google Arts & Culture
App
Applications
Web Member Center
e-Newsletter
Downloads
RSS
Languages
正體中文
English
日本語
한국어
Français
Deutsch
Español
Русский
اللغة العربية
อักษรไทย
Tiếng Việt
Bahasa Indonesia
Sitemap
FAQs
Contact Us
Southern Branch
Facebook
YouTube
Instagram
e-Shops
National Palace Museum
:::
Home
>
Learning
>
Research Quarterly
>
Content and Abstract
Learning
Previous Page
Research Quarterly
Content and Abstract:
Volume 38
Volume 37
Volume 36
Volume 35
Volume 34
Volume 33
Volume 32
Volume 31
Volume 30
Volume 29
Volume 28
Volume 27
Volume 26
Volume 25
Volume 24
Volume 23
Volume 22
Volume 21
Volume 20
Volume 19
Volume 18
Volume 17
Volume 16
Volume 15
Volume 14
Volume 13
Volume 12
Editorial Committee
The National Palace Museum Research Quarterly
Submission Guidelines
Menu
:::
Print
Share
line
Facebook
twitter
plurk
Small
Normal
Large
Volume 28
Volume28, Number4 (Summer, 2011)
Lu Hui-wen
Transitions and Transformations: Wild Cursive Calligraphy from Tang through Song (
Abstract
)
Harold Mok
The Northern Song Complex at Play in Southern Song Calligraphy (
Abstract
)
Wu Hsiao-yun
The Role of the Transmission of Chariots in the Early East-West Interaction: 2,000-1,200 BCE (
Abstract
)
Li Baowen
The origin of Tibetan Dragon Sutra recorded in the Archives of the Imperial Household Department (
Abstract
)
Volume28, Number3 (Spring, 2011)
Fu Shen
Zhang Jizhi and His Large Script (
Abstract
)
Huang Kuan-chung
Interconnection Historical Memory, Shaping a Clan Tradition: Lou Yue and his Kinsmen's Art Collection and Publishing (
Abstract
)
Yu Pei-chin
A Look at the Qianlong Emperor's Collection of Ru Porcelain from His Poetry (
Abstract
)
Hsu Yuan-ting
The Market of Publishing and the Circulation Area in the Southern Song Period: A Study on Publishing of Books for Imperial Examination and Treatises of Medicine (
Abstract
)
Volume28, Number2 (Winter, 2010)
Chen Yunru
Producing a Realm of Truth: Reexamining the Art-Historical Significance of the Qing Court Version of Up the River During Qingming at the Yongzheng Painting Academy (
Abstract
)
Liu Jung-chun
Reconstruction the fuction of Chen Hongshou's Water Margin Leaves as gambling and drinking game (
Abstract
)
Lin Shih-hsuan
Making Tibet inside the Frontier: On the Last Western Tour to Wutai Mountain of Emperor Jiaqing (
Abstract
)
Wu Yuanfeng
Discussions on the Characteristics of Manchu Old Archives (
Abstract
)
Volume28, Number1 (Autumn, 2010)
Liu Shi-yee
The Bond between the Three Liangs: A Thematic Analysis of Two Chen Hongshou Paintings for Zhou Lianggong (
Abstract
)
Zhuang Sue
Besides The Eight Eccentrics of Yangzhou : Ding Youyu and His Portrait (
Abstract
)
Chang Sheng-ching
The Pineapple Images by Michael Boym and the Circulation of Pineapple Images in Europe in the 17th century (
Abstract
)
Chen Hui-hsia
On the Imperial Studio's Imitation of Japanese Lacquerware During the Yongzheng Reign (
Abstract
)
Last updated on：
2012-04-26
Home